Guides and stories on fine art photography, open call exhibitions, selling art, and the artist's journey between London and Lagos.
Exhibitions
A picture about shelter, hanging in a 1746 stable block that was nearly demolished — and what three simultaneous exhibitions taught me about rooms.
Opportunities
Where the money actually is — Arts Council England, regional funds, trusts and residencies — and how to write an application that lands.
Opportunities
The four types worth your time, where to find them, and a submission system that takes ten minutes per call.
Opportunities
Seven realistic income streams — services, prints, teaching, digital products, licensing — and the two-continent advantage.
Exhibitions
A picture about hiding, at a festival themed on advancement. Why refuge is the first half of progress — and why Bradford matters.
Art & Identity
Culture travels through people, not campaigns. On double fluency, the three mistakes diaspora artists make, and carrying the door open behind you.
Artist Guides
Where African art lives in Britain — the four kinds of platform, why funding is the real story, and how to get selected.
Artist Business
Seven hard-won lessons on money, logistics, two audiences, and playing a decade-long game across two continents.
Artist Guides
The most accessible door into the gallery world — where to find open calls, how jurors choose, and how to budget like a professional.
Exhibitions
Two works selected from 2,000+ submissions — what selection feels like, and practical lessons for your first gallery show.
Art & Identity
One word from my heritage became a seven-year collection exhibited in London and Lagos — on images that carry presence.
Craft
Intention over equipment — developing concepts, shooting deliberately, editing for emotion, and finishing work properly.
Artist Business
Pricing structure, limited editions, and why sales happen where the art hangs — lessons from my first collector sale in Lagos.
Artist Guides
Four weeks out to the private view — printing, framing, insurance, install day and follow-up, from an artist who's done it on two continents.
Craft
Why monochrome hits harder — lighting as language, contrast as emotion, and directing the person instead of the pose.
Craft
Ten one-sentence concepts — sustainability, surveillance, heritage, duality — each with a real example from the Aworan collection.
Art & Identity
Audiences, press, pricing and logistics — an honest two-city comparison from an artist who has hung the same collection in both.
Artist Business
Creative Photographer of the Year, then Creative Visionary of the Year — what awards actually change, and what they never will.
More writing — weddings, gear and education — lives on the Camera Boss blog.
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